Weekend Box Office: Venom underperforms domestically; is a hit overseas

Venom: The Last Dance is underperforming at the domestic box office, but is doing much better overseas.

Last Updated on November 1, 2024

Weekend Box Office

Another week…another disappointing weekend at the box office. This has been a brutal fall season for Hollywood, with Tim Burton’s Beetlejuice Beetlejuice the only smash hit of the season. While other movies like The Wild Robot and Terrifier 3 have performed well, would-be blockbusters like Transformers One and Joker: Folie a Deux fell flat. Case in point – Joker 2 isn’t even on the top 10 this weekend, with its $600k weekend placing it well outside the chart. Ouch. Another potential breakout hit, Venom: The Last Dance, underperformed this weekend, with it grossing $51 million domestically (which is just $1 million above what we predicted). While that’s not a bad start for a modestly budgeted superhero movie, the first Venom opened with $80 million, while the sequel – despite coming out during the pandemic, made $90 million in its first frame. The poor CinemaScore rating (B-minus) suggests audiences are suffering from a little bit of superhero fatigue. 

However, this third Venom movie should still turn out to be profitable for Sony, with the movie overperforming internationally, where it made a huge $124 million (not counting domestic), making it the third biggest opening weekend of the year after Inside Out 2 and Deadpool & Wolverine

Parker Finn’s Smile 2 easily took second place, with $9.4 million, but the 59% drop is pretty steep, as the original only slipped 18% in its second frame. With a $40 million gross (so far), Smile 2 will turn a solid profit for Paramount, but it won’t be the money maker the first movie was (although I’d still expect at least one more sequel – which our man Tyler Nichols wrote about at length today).  

Ralph Fiennes

Third place ended up being a bit of a pleasant surprise, with Focus Features having a word-of-mouth hit with Edward Berger’s Conclave, which exceeded expectations to gross $6.5 million. With the Ralph Fiennes-led thriller a front-runner for some Oscar nominations, expect this one to stick around theaters for awhile. It’s more-or-less tied with The Wild Robot, which is also reporting $6.5 million for the weekend, with a total gross of $111 million for this well-reviewed family flick. 

Another word-of-mouth drama, A24’s We Live In Time, also did relatively well this weekend, making $4.8 million in fifth place and a $11.7 million total. While those aren’t blockbuster numbers, younger audiences are discovering the film, which is a solid choice for couples on a date. Terrifier 3 slipped to sixth place, with a $4.2 million gross and a $43.1 million total. All-in-all, Art the Clown is leading the film to be one of the year’s most profitable movies. 

The global smash hit, Beetlejuice Beetlejuice, also continued to pull in solid numbers, with a $3.2 million gross and a $288 million domestic total. Of all the movies on the top 10, the arthouse smash Anora pulled in the biggest per screen average, making $25.5k per screen (more than twice what Venom: The Last Dance did), with an $867k weekend on only thirty-four screens. The Lego animated Pharrell doc, Piece By Piece, made $720k, giving it a low-key $8.8 million total, while Transformers One rounded out the top 10 with a $720k weekend and a $57 million domestic total.

The box office doldrums seem set to continue next weekend, with Robert Zemeckis’s Here one of the few wide releases coming out. Do you think Venom 3 might rally in its second weekend? Let us know in the comments!

# MOVIE TITLE WKND $ TOTAL $
1 Venom: The Last Dance $51 M $51 M
2 Smile 2 $9.4 M $40.7 M
3 Conclave $6.5 M $6.5 M
4 The Wild Robot $6.5 M $111.3 M
5 We Live in Time $4.8 M $11.7 M
6 Terrifier 3 $4.27 M $43.1 M
7 Beetlejuice Beetlejuice $3.23 M $288.7 M
8 Anora $867 k $1.6 M
9 Piece By Piece $720 k $8.8 M
10 Transformers One $720 k $57.9 M

About the Author

Chris Bumbray began his career with JoBlo as the resident film critic (and James Bond expert) way back in 2007, and he has stuck around ever since, being named editor-in-chief in 2021. A voting member of the CCA and a Rotten Tomatoes-approved critic, you can also catch Chris discussing pop culture regularly on CTV News Channel.