Woman of the Hour Review: Anna Kendrick makes a strong directorial debut
Anna Kendrick’s Woman of the Hour is a solid, true-crime debut for the talented actress. It should play well now that Netflix is finally releasing it.
Hit Man Review
Richard Linklater’s Hit Man might just be the movie that proves Glen Powell is the next huge Hollywood leading man.
The Dead Don’t Hurt Review
Viggo Mortensen’s revisionist western, The Dead Don’t Hurt, is a fine entry into the genre with two great lead performances.
Aggro Dr1ft Review
Harmony Korine’s Aggro Dr1ft is a tough to watch experimental feature that plays more like an elaborate prank than a movie.
Poolman Review
Chris Pine’s directorial debut, Poolman, is a deadly dull flop that ranks as one of the worst directorial debuts in recent memory.
Boy Kills World Review
Boy Kills World is a gory, action packed blast and a superb showcase for Bill Skarsgård’s action chops.
Knox Goes Away Review
Michael Keaton’s noir thriller, Knox Goes Away, gives the veteran actor one of his best roles as a dementia-afflicted hitman.
Memory Review
Memory, starring Jessica Chastain and Peter Sarsgaard is one of the most empathetic and moving love stories to come along in many years.
Finestkind Review
Brian Helgeland’s Finestkind is a predictable but entertaining crime drama, with a standout performance by Tommy Lee Jones.
The Zone of Interest Review
Jonathan Glazer’s The Zone of Interest is among the most unsettling films to come out in the last few years.
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