Megalopolis Review: We Saw Coppola’s Controversial Passion Project
We wanted to like Francis Ford Coppola’s unwieldy passion project, but it’s a mess.
Francis Ford Coppola gives a perfect score to Megalopolis on Letterboxd
Despite the mixed reviews from critics and audiences, Francis Ford Coppola has given a perfect score to Megalopolis on Letterboxd.
Francis Ford Coppola compares Shia LaBeouf’s Megalopolis method to Dennis Hopper’s on Apocalypse Now
Francis Ford Coppola says that Shia LaBeouf brought a Dennis Hopper-level electricity to the set of Megalopolis.
Francis Ford Coppola comments on the fake quotes from critics in Megalopolis trailer
Megalopolis director Francis Ford Coppola comments on the fake quotes from critics used in the trailer for the movie.
Megalopolis releases a new revised trailer without the controversial critics quotes
Weeks after Lionsgate was discovered to have used generated critics’ quotes for the trailer, a newer version is released with a new intro.
Francis Ford Coppola joins Letterboxd and shares twenty of his favourite movies
Megalopolis director Francis Ford Coppola joins Letterboxd and shares a list of twenty of his favourite movies.
Francis Ford Coppola says you “can’t put a label” on Megalopolis
Francis Ford Coppola says you “can’t put a label” on Megalopolis, and that’s just the kind of film he likes.
Francis Ford Coppola cast “cancelled” actors in Megalopolis because he didn’t want to be seen as “some woke Hollywood production”
Francis Ford Coppola didn’t want Megalopolis to be seen as “some woke Hollywood production” and included “cancelled” actors in the cast.
Lionsgate pulls Megalopolis trailer which features fake quotes from iconic critics
The new trailer for Francis Ford Coppola’s Megalopolis appears to feature made-up quotes from iconic critics, prompting Lionsgate to pull it.
The new trailer for Francis Ford Coppola’s Megalopolis reminds you that the director’s films are ahead of their time
The marketing for Megalopolis has acknowledged negative reviews from early screenings to show that Coppola’s cinema classics suffered similar views.
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