Review: U2 3D

U2
3D
Directed by:
Catherine Owens, Mark Pellington
Starring: Bono, The Edge,
Adam Clayton, Larry Mullen Jr.

PLOT: Owens and Pellington team up with 3ality Digital in this
unique 3D film to capture and immerse fans in the magic of U2’s
Vertigo concert in

Buenos Aires

, taking concerts to a whole a new dimension.

CRITIQUE: Wow, where do I begin? Considering my deep passion
and adoration for U2, this film was the most fascinating and
exhilarating treat, even at an 8am screening. Despite mixed reviews
and over analytical nitpicking of this progressive and revolutionary
technology, the film was an adrenaline driven rush, delivered with
upfront and personal action from beginning to end. It was an
explosive, all access U2 concert pass intensified by the use of 3D
Bono style sunglasses. I truly enjoyed the ride and was honestly
unprepared for the extent of the overwhelming, emotional impact
created by the 3D effects.

The floating opening credits were an immediate indication of
the depth and virtual ecstasy the film would produce. Using two
cameras, the angles were shot from an audience and performance
perspective. It induced the surreal sensation of engaging with the
floor-seated fans and simulating with the band onstage. The result
of this inventive, intimate and rhythmical film was a tear jerking,
spine tingling and hair-raising concert experience. Every frame
seized U2’s customary use of intense and dramatic colors. Each
poetic scene highlighted the captivation of the concert attendees
while engrossing 3D participants with invigorating close ups of band
members.

One particularly memorable scene exemplifying the powerful
effects of this new dimensional film, was an emotionally stirring
serenade of ‘Sunday Bloody Sunday.’ The visual execution was so
extraordinary and successful, it evoked stimulating illusions of
Bono literally stepping out of the screen and touching my face…seriously!
Another riveting moment was an emphasis placed on the band’s
political activism by focusing on the freedom of rights enunciated
by an Asian woman on the big screen. I was engaged in every fervent
beat, every inspiring note and every physical move exercised
throughout the concert. It was extremely difficult to remain seated
and refrain from singing along to the famous songs.

I only wish I could have prolonged the euphoric sensation
created by U2’s concert film (it only runs about 55 minutes). The
good news is that the final version will be much longer upon its
projected release early next year. Although this isn’t your
typical artsy Indie film, I’m looking forward to being enraptured
by the sounds and 3D visions of my favorite band once again.

— 9/10