PLOT: Heidi (Sheri Moon Zombie)- a radio DJ, receives a strange package with an LP recording by a band called “The Lords”. After playing it on the air, she begins to sink into a pit of despair, drugs and degradation, all the while being watched over by her enigmatic landlord (Judy Geeson).
REVIEW: Appearances can be deceiving, and thus I was deceived when I heard Rod Zombie, master of the hardcore- was debuting his new film about witches and Salem at TIFF’s Midnight Madness. I walked in expecting Grindhouse exploitation, but rather- I got Zombie’s most ambitious film to date.
The horror of LORDS doesn’t really start to kick in until about a third of the way in, after the track by “The Lords” is played, to the distress of a local historian (Bruce Davidson) who’s convinced there’s something amiss. Meanwhile, Heidi’s world is being taken over by her deceptively kind landlord, played by seventies Brit icon Judy Geeson, and her two cousins, played by Pat Quinn and Dee Wallace. These three, who form a modern coven of sorts are really what LORDS OF SALEM is all about, and their performances, including graphic nudity (possibly of the prosthetic variety), and surreal flashbacks to the Salem trials, are fearless.
While I doubt this could ever be embraced by the mainstream to the relative degree his other films have been- a cult following seems a given. If you’re into some weird shit- LORDS OF SALEM is not one you can afford to miss.