PLOT: Two young American software developers (Emile Hirsch & Max Minghella), in Moscow on business, find themselves among the few survivors of an alien invasion. Along with three other survivors (Olivia Thirlby, Rachael Taylor & Joel Kinnaman), they scour the city looking for a way to save themselves from the invaders, who feed off human energy like fuel.
REVIEW: THE DARKEST HOUR could have really been something. All the ingredients were there. The premise, while hardly new, has been given a bit of international flavouring by setting it in Moscow, and the young cast is far better than most films of this ilk ever manage to assemble. Too bad everything else about it is so damn messy, as it keeps this from being little more than a passable, if moronic time-filler.
Even Emile Hirsch, who’s normally a startlingly good actor (his performance in INTO THE WILD is a classic) initially comes off badly, and truly the first twenty minutes are bad enough that I was thinking of amending my “worst-of ’11” list to include this. At this point, the only thing that kept THE DARKEST HOUR from sitting atop the scrap heap alongside the similarly themed SKYLINE, was the likability of the four protagonists. While Hirsch isn’t quite able to turn THE DARKEST HOUR around, he’s still a charismatic guy, who could probably really deliver in the right type of genre vehicle. Ditto Max Minghella, who really impressed me a few years ago in the little-seen AGORA, but hasn’t got much to do here. Olivia Thirlby and the striking Rachel Taylor are pretty much treated like eye-candy, but like Hirsch and Minghella, are likable enough actors that the two-dimensionality of their characters isn’t as grating as it could have been.
Luckily things perk up once the carnage starts, although the film doesn’t really start to work until about forty-five minutes in, once our band of survivors start meeting some colorful Russian survivors. From there the film actually becomes quite entertaining, especially once Hirsch and Co., meet up with a gang of Russian Freedom fighters who look like they escaped from a Russian knock-off of THE ROAD WARRIOR. They’re absolutely ridiculous, but they add a degree of fun to the film that hadn’t been there before, and after about five minutes of their antics, I started to wish that THE DARKEST HOUR had focused on them instead especially once one of them shows up on an metal-plated horse. Now THAT’S entertainment!