PLOT: Mary Stuart, the young widowed Queen of Scots, returns to claim her throne in Scotland. Currently under the rule of England’s Queen Elizabeth, Mary finds herself at odds with all of those around her as her quest ultimately leads to war and imprisonment.
REVIEW: There is something very satisfying in watching two talents like Saoirse Ronan and Margot Robbie both headline an epic historical drama. The two offer a compelling reason to watch the lush and impressive MARY QUEEN OF SCOTS. This visually grand feature, directed by Josie Rourke, is gorgeously shot and executed with the help of cinematographer John Mathieson. It also offers some of the most detailed period make-up and costume design you are likely to see this year. While the biographical tale has moments of wondrous beauty, the script sometimes fails to ignite the fiery passion that the two leads deliver with their performances. This is a bit of shame because this story certainly is a fierce and thought provoking one about a rivalry that places two countries at odds with each other.
As Queen of Scotland, a young widowed Mary Stuart (Ronan) decides to return to take her throne. This sets off a complex communication between her and Queen Elizabeth (Robbie) who currently rules over both England and Scotland. However, Elizabeth is barren and cannot conceive an heir, while her counterpart, Queen Mary, is young and able to have children. This relationship between the two women is a complicated one, it twists from a form of sisterhood and friendship to a deep rooted jealousy and back again. As Queen Mary gains power, she finds herself a husband of her choosing (Joe Alwyn) and begins to seek the English throne setting off a deep rooted power struggle between the two rivals.
Saoirse Ronan is a perfect choice to take on Queen Mary. The young actress is quite impressive as a Queen looking to take back her throne. She has the ability to show weakness and strength at the same time, yet she is fierce in her passion. This means she must suffer in silence, without revealing her fears to the men surrounding her. When Mary takes on a handsome suitor named Robert Dudley (Joe Alwyn), she stands by her decision, even after she realizes he has a few not quite so hidden sexual desires. The relationship between the two, much like the rest of the film, is not so terribly simple.
MARY QUEEN OF SCOTS works on two very important levels. The leads are inspired casting, and the direction and look of the film are at times quite spellbinding. The scene where the two women finally meet face to face is a beautiful sequence – even if it seems a bit contrived. The story itself is well told for the most part, yet it tends to drags the dramatic tension down slightly. That is not to say that this isn’t a well made film in any way, it just isn’t quite as adventerous and inspired as it could have been if it had taken a few more chances. Yet, ultimately, you cannot deny the power of what both Ronan and Robbie bring to this elaborate and visually operatic drama.