PLOT: John (John C. Reilly), a lonely middle-aged man, can’t believe his luck when he meets the gorgeous, outgoing Molly (Marisa Tomei) at a party. The two begin a passionate affair, but Molly seems to be hiding something in her life. One day, John follows her home and meets Cyrus (Jonah Hill): her twenty-two year-old son. Cyrus not only still lives at home, but also shares a deep, unconventional, co-dependent relationship with his mom. Not wanting his life with mom to be threatened by a new man in her life, Cyrus starts a campaign of terror against John, who`s not willing to let go of Molly without a fight.
REVIEW: CYRUS is the first big leap into the mainstream for directors Jay & Mark Duplass, who previously made several well-received indie films, including BAGHEAD. I`m not terribly familiar with their earlier work (other than having seen co-director Mark Duplass in the under-rated HUMPDAY), but if this is any indicator of the quality of their previous films, I have some serious catching up to do. CYRUS is one of the more engaging comedies I’ve seen in a long time, and a nice return to form for star John C. Reilly.
As for Jonah Hill, this is easily the best work he`s ever done. As the titular CYRUS, Hill manages to walk a fine line, and keep his character somewhat likable, when he could have easily become cartoon-ish. Hill makes him real, and even sympathetic at times. You can tell Cyrus really does love his mother, but he`s too pampered to see how unhealthy his complete dependence on her is for both of them. I should also say, Hill`s freakin` hilarious as Cyrus, particularly when faking night terrors, or playing his Vangellis-like synthpop on his seven synthesizers (release that shit as a single yo!). However- CYRUS never becomes a cartoon, and you can tell that Cyrus, while immature, is relatively sane, and someone who might be salvagable if he could get over his icky co-dependant relationship with Mom.
I also hope that people don’t slam this with the same “mumblecore” sticker GREENBERG got stamped with earlier this year. While I thought that film was under-rated, this is a MUCH more accesible film, and should play well to anyone who enjoys a little substance in their comedies. It played beautfully at Sundance, and I think anyone who’s willing to give it a chance will love it as much as I did.
RATING: 9/10