The trouble started when Soderbergh turned in a final shooting draft that executives found “very different” than the one they had greenlit by Steven Zaillian. While the budget was a modest $60 million, Sony felt the film’s new vision wasn’t worth the risk (especially with the thinking that the project wouldn’t work well internationally).
So what next? There are essentially two options. First, a new studio could pick the film up as is (Warner Bros. and Paramount are said to be interested) and the only impact to production would be a few days of filming. Second, if no other suitor could be found by today, Columbia could drop Soderbergh and attempt to find a new director that would bring the original vision to screens (with hopes that Pitt doesn’t follow his buddy out the door) or just drop the film altogether.