Lynch and horror go together kind of like Burton and horror do. Finding a specific film of his that is considered strict genre is tricky, but a strong gothic horror ethic infuses all of his work. And when you want to talk about tripped out films, well as The Arrow himself said to me while chatting about this list, “[Lynch] is the KING of mindf*ck!” Couldn’t have said it better myself.
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Cronenburg is a master of combining horror and pure visual oh sh!ttery. Trying to pick just one of his films for a list like this is similar to picking which film of Diora Baird’s features her boobs best. Tough to get it right, but impossible to get it totally wrong either. One of the joys of eXistenZ is that it takes all the fetishism and ick factor that DC loves to play with, and anchors it in a world that within its own rules, really does play fair.
This sucker just baked my noggin when I was watching it the first time. Tim Robbins performance at the center draws the viewer into the confusion and terror of not knowing what the hell is going on in such an effective manner that it hides the relatively simple narrative and “surprise” rather well. And surprising though it may be, Elizabeth Pena looks hot in it.
Easily my favorite horror movie, ITMOM makes its horror work largely through leaving you off balanced during most of the runtime. Whether it’s satanic children, upside down spider ladies, an author ripping himself apart or simply the presence of Charlton Heston, this is Carpenter reaching right into your brain and pressing scramble.
WTF is wrong with Lars von Trier? It’s like he wants to punish everyone involved in his movies. The actors for sure, no doubt his crew, and the audience perhaps most of all. While many of the picks on this list are fun mind-benders, this one is pure I’m gonna vomit in my mouth. Thanks Lars.
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Freddy’s been around so long that he’s getting retrod, but can you remember what it was like the first time you saw NOES? It was, quite simply, a nightmare. You weren’t safe anywhere, and the thing we cling to most dearly, our slumber, was turned into a deathscape of razors and pain. Wes Craven may have dropped off a bit post-SCREAM, but when it comes to outright mindf*ckery he gave us one of the classics.
Leave a man hating, paranoid psychotic up to her own steadily growing agorophobic devices and just see what happens. Under the sure direction of everyone’s favorite kiddie rapist Roman Polanski, Catherine Deneuve gives a great perfomance as a woman slowly breaking down, but then again, maybe just returning to form. People definitely die, though, so that’s good.
You know that if you’ve got a movie that not only introduced William Hurt, but also contains one of his oddest roles, it’s gonna be one for the books. The story ends up getting a bit heavy with death of God musings and such going on, but the fun part is all the reality shifting, drug induced, sensory deprevation experimentation. Grab yourself a lava lamp and check this sucker out.
Possibly the trippiest thing about this bastard (not Peter Jackson’s) is that it stars both Bill Pullman and Bill Paxton. On top of that, there’s all kinds of boogeying with brain extraction, confused center of reality and did I mention the surplus of Bill’s? It’s not exactly a tour de force when it comes to the direction, but the story content more than makes up for it.
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Back in the day when Dennis Quaid was still the hot young actor on the Hollywood scene he popped up in this underappreciated flick about government sponsored dream assassins. You can imagine that since a large portion of the movie deals with people moving through dream states it gets weird, especially since personal nightmares and Freudian histories get manipulated early and often. Sweet dreams.
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