WARNING: Spoilers follow, as well as some images that can be considered NSFW!
Certainly EVIL DEAD remake has a delightful surplus of memorably gory and insane moments, so it’s a pretty difficult task coming up with just one sequence to highlight. The needle in the face? The nail gun jamboree? The chainsaw sandwich for the Abomination? All contenders, but I’ll go with the carnage poor Natalie inflicts upon her own arm with an electric carving knife. Sitting in the theater, I honestly couldn’t believe the image of the blade hacking through Elizabeth Blackmore’s flesh made it past the MPAA – the gnarliest visual in a wide theatrical release in many a moon. This remake may not have been perfect, but holy sh!t did it go for broke in the OUCH! department.
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If we’re strictly going by the WTF?! Factor, then VHS 2’s “Safe Haven” segment wins, hands down. As this short goes on, one begins to imagine co-directors Gareth Evans and Timo Tjahjanto (who makes his second appearance on this list after ABCs OF DEATH) having a blast throwing their every single strange notion – plus the kitchen sink – into this thing. So we have ritualistic suicide, ghost girls, exploding dudes and, as a topper, a monstrous goat-demon tearing itself out of a woman’s stomach. Do I really know WTF is going on here? No, but it’s a helluva ride all the same.
There are plenty of Holy Sh!t options in James Wan’s polished supernatural chiller, but my absolute favorite moment is the glorious reveal of the villainous witch as it perches atop a wardrobe. Wan’s deft directing allows us to not even quite realize what we’re seeing one second, and in the next second it’s “everybody scream!” time. The “hide and clap” sequence is another brilliantly choreographed bit of terror, but for my money seeing that horrific apparition a moment before she leaps is the movie’s primo scare scene.
Leave it to Nicolas Winding Refn to give us the flat-out weirdest torture scene of this or any other year. When a hoodlum named Byron gets on the wrong side of the ruthless Detective Chang, the seemingly omniscient cop treats him to a protracted punishment – in front of a crowded room, no less – involving needles and carving knives. The surreal, unnerving sequence only runs two minutes, but it feels about three times as long.
“Ewwww!” That’s the only reasonable response to Timo Tjahjanto’s incredibly sick, perverse contribution to the horror anthology THE ABCs OF DEATH. While the overall film sports several creepy/freaky/f*cked up segments (a special nod to Xavier Gens’ “X is for XXL” is warranted), “L is for Libido” treats us to images and ideas that are almost too grotesque to even think about. In fact, I’m grossing myself out just writing about it. See it for yourself to find out what happens, but be warned: “L is for Libido” might just ruin masturbation for you forever.
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I hated this movie. It does everything it can to make us sick and in the easiest way possible: the slow, grueling torture of a frightened young woman. Torture porn at its most unimaginative and shameless, but it can’t be denied that director Steven R. Monroe is adept at coming up with truly vile ways of disturbing us. I SPIT ON YOUR GRAVE 2 has plenty of grotesque imagery, but the most memorable (for lack of a better word) is that of a cattle prod violating the helpless protagonist Katie (Jemma Dallender). Absolutely awful.
If you needed a reminder (and you really shouldn’t), AMERICAN MARY teaches you this lesson: if you’re scumbag enough to drug and rape a girl, you’re definitely asking for the worst in retribution. In the case of Dr. Grant, a seemingly benevolent fellow who does the wrong thing to the wrong gal (Katherine Isabelle’s Mary), the retribution is startling: the man is eventually captured and tortured over a long period of time, ultimately kept a limbless prisoner of the demented Mary. Once again: don’t be a scumbag.
What parent wouldn’t want to inflict primal violence upon a creep who kidnapped and violated their child? In the case of the Felix and Sol in HERE COMES THE DEVIL, the vengeance aimed toward a man who may have done those very terrible things is rather swift but not at all painless: what begins as a simple knifing escalates into a neck-shredding so unexpected and grisly you’ll be reaching for your raincoat. Cap that off with a sexual shower immediately after and you’ll have no choice but to applaud director Adrian Garcia Bogliano’s way of making us feel dirty and clean at the same time.
The prolonged sequence in Nicholas Lopez’s AFTERSHOCK where our leads are caught up with by a pack of wild hoodlums after a devastating earthquake is, well, deeply unpleasant. The man we thought was our main protagonist, played by Eli Roth, is almost crushed to death by a rock; if that’s not bad enough, he’s then burned alive by the soulless bastards. Then one of the female members of the group is raped, which always ranks #1 in the “things I don’t want to see” department. Whatever you thought of the film (and I know reaction is mixed), this section is undeniably nasty.
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There are a handful of scalping scenes in Franck Khalfoun’s MANIAC remake, of course, but this one is the most gag-worthy. Maybe it’s the icky way our sicko killer Frank (Elijah Wood) quietly stalks his prey, a snobby older woman named Rita (Jan Broberg), or the even ickier way he talks to her after she’s been tied up and terrorized. But most likely it’s just the effectiveness of the scalping itself, which happens so brutally and realistically that we’re taken aback, despite the fact we’ve already seen similar horrors. A movie of many standout scenes, this one takes the bloody cake.
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