Hellboy: The Crooked Man Review: Is It Actually Decent?
Low expectations help this new iteration of Hellboy, which takes a decidedly more indie route and settles nicely into folk horror.
V/H/S/Beyond Review: A Fantastic New Entry
The latest entry in the VHS series has a serious focus on aliens, but there’s plenty of great gore gags and fantastic segments overall.
Salem’s Lot (2024) Review: Was this long-delayed Stephen King adaptation worth the wait?
This long-shelved new adaptation of the Stephen King classic fails to impress with an overabundance of CGI and silly jump scares.
Monster Summer Review: How is this Mel Gibson horror flick?
While Gibson is great, there’s not much else that stands out about this family friendly film that lacks clear direction.
It’s What’s Inside Review
It’s What’s Inside is a classic Sundance Midnight Movie thriller. It’s too bad that we can’t tell you what it’s about, but you’ll thank us.
The Radleys Review
Damien Lewis impresses but little else sparks with this family drama that almost feels embarrassed of its vampire side.
House of Spoils Review: Ariana DeBose cooks up some terror in Blumhouse’s latest frightfest
This restaurant-set supernatural thriller blends beautiful food with frightening results.
Hold Your Breath Review: we saw the buzzy horror flick from Searchlight
Sarah Paulson and Ebon Moss-Bachrach impress in this dull film about insanity in the 1930s that never gets off the ground.
The Forest Hills Review: Shelley Duvall’s Final Film
Review: After a 20 year absence from the screen, Shelley Duvall took a role in The Forest Hills, a story of werewolves and insanity
Kill ‘Em All 2 Review: JCVD deserves (a lot) better
This JCVD sequel disappoints in nearly every way, providing lame action and ultra clunky dialogue that lets down the still cool star.
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