The panel for Open Road Films had the unfortunate situation of being sandwiches between DJANGO UNCHAINED and the epic Warner Bros. panels. But they still bravely brought two films to Hall H…
It seems like writer-director David Ayer keeps making the same cop movie over and over—TRAINING DAY, HARSH TIMES, STREET KINGS and DARK BLUE. With END OF WATCH, he’s trying to present a more optimistic version of the job, based on police officers who do their best to help people and improve their community. The hook of the movie looks to be the way it’s shot, mixing standard documentary filmmaking with dashboard cameras, security footage and cameras attached to the actors themselves.
Ayer was joined by actor Michael Pena and a recorded message from Jake Gylenhaal to introduce some new footage:
First, there’s a constant POV shot from the hood of a patrol vehicle with Gylenhaal waxing poetic about being a cop. There were some a brief shootout, but overall it sounded pretty cheesy and the sequence looked just like the beginning of a NAKED GUN movie. Next was a quick but humorous clip showing the brother-like relationship between Gylenhaal and Pena as the two blow off some steam talking about the difference between Caucasian and Mexican girls. The last segment was the most interesting and showed the two officers venturing in to a burning house to try and rescue someone. For most of the shtos, the cameras are clearly attached to Gylenhaal and Pena which made the smoky situation appropriately disorienting. It works for this sequence but if that technique is used throughout the movie it could be distracting.
The panel began with two clips:
#1: A girl frees her friend who’s encased in some kind of web or tape, just as a weird spider-like creature made up of mannequin parts begins to come after them. The mannequin monster was CGI and looked more silly than scary. (Though I haven’t played the Silent Hill games, so this might be something I’m just not familiar with.) The two girls take off running, with one telling the other she got lost in the fog.
#2: Kit Harrington (Jon Snow from Game of Thrones) is strapped to a table in a room filled with those creepy knife-wielding nurses from the first movie. A girl comes in and offers to free him if he helps her find her dad. The nurses are almost motion activated, so every time she moves to cut his straps they moved a bit closer to them. She cuts the final strap just as the nurse gets to them—typical tension stuff.
Director Michael J Basset (SOLOMON KANE), actress Adelaide Clemens and producer Samuel Hadida then came out to address the crowd.