Last Updated on August 5, 2021
Idris Elba,
Rinko Kikuchi,
Charlie Day,
Burn Gorman,
Ron Perlman,
Clifton Collins Jr.,
Robert Kazinsky,
Max Martini
PACIFIC RIM has a fine roster of actors, but most of the supporting cast are treated as little more than cartoon characters, and even the leads are directed to fairly flat performances.
Ken Watanabe,
Bryan Cranston,
Elizabeth Olsen,
Carson Bolde,
Sally Hawkins,
Juliette Binoche,
David Strathairn
GODZILLA takes itself a bit more seriously, thus giving its actors a chance to actually act. As expected, Bryan Cranston knocks it out of the park during his short time onscreen, and the Maximoff twins deliver sufficiently emotional performances.
Waves of kaiju attack through an interdimensional portal while humanity strives to fend them off with giant manned machines known as jaeger. Meanwhile, two scientists attempt to give humanity a leg up by interfacing with the kaiju hive mind.
PACIFIC RIM is a story we haven’t quite seen before, so I’m giving it the edge here. Also, humans are actually responsible for saving themselves in this one.
Two MUTOs walk toward each other in the interest of destructively making out and raising a family while Godzilla attempts to take them both out. Humans pretend they have a say in the matter.
Okay, humans destroy the MUTO eggs and transport a nuclear warhead to a safe location; that is absolutely significant. As far as the immediate MUTO threat, however, the outcome would be the same if humanity had simply sat back and watched Godzilla do his thing.
Case in point, it’s pretty fantastic when Gipsy Danger strolls in holding an ocean liner and proceeds to use it as a melee weapon… until a few minutes later when it’s revealed they had a f*cking SWORD this whole time. A sword is not your last resort in battle, people.
Also, elbow rocket.
MONSTERS, keeps the action far off and incidental for much of the movie. This allows for a greater build of tension and immersion into the story, which also makes the action a bit more believable when we finally get to it. This technique is used a little too often, though, which we’ll get to in the next segment.
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