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The Arrow
Twin Peaks: Fire Walk With Me (1992)
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| Directed by: |
David Lynch
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| Starring: |
Sheryl Lee/ Laura
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Moira Kelly/Donna
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Ray
Wise/Leland |
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Dana
Ashbrook/Bobby |
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| RATING
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PLOT-CRUNCH:
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This prequel to the cult TV show explores Laura
Palmer’s (Lee) last days before her imminent death and plastic wrapping
motif. Damn...baby led a messed up life! What ever happened to just going
shopping and hitting some of that homework?? Witness the downfall of High
School sweetheart Laura Palmer.
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THE
LOWDOWN: |
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David Lynch won the Golden
Palm at Cannes in 1990 for "Wild At Heart". Two years later, he
was heavily booed for "Twin Peaks Walk With Me" at the same festival,
competing in the same category. Funny how shite goes.
It took me a long time and many viewings to figure out how I felt
about the ever-so-fucked-up "Fire Walk With Me". Today, I can firmly
say that it is a daring, poignant and solid film.
What alienated the average
viewers and critics from this baby was most likely its strangeness,
harshness and penchant for high symbolism. They just didn’t get it and I
don’t blame them! The flick definitely isn’t for everybody, Lynch’s
work in general is an acquired taste. Here, Lynch once more doesn’t play fair
and drops us into a world which only he probably fully comprehends. It took
me 8 viewings of this trip to understand 90 percent of it and I went
through basic training beforehand (I followed the TV
show)! If you’re
going to watch this somber ride, check the show out first as a brain warm
up…trust me on that one, you’re going to need it!
The film’s weakest link is
definitely its first half hour. It introduces deadpan Special Agent
Desmond (Isaac) into the game but in the end leaves his subplot hanging
high and dry. That frustrated me. Dale Cooper’s half-assed cameo also
left me unsatisfied; I would’ve rather he not be in the film at all.
His presence felt forced and his “dream’ tie to Laura (Lee)
unnecessary. The first half hour is actually the hardest segment to
understand but is somewhat important if you want to see the whole picture
behind this tale. After so much time spent on it, I now get most of its
ingredients and how they’re related to the bulk of the movie. I even
"capiche" the whole vanishing David Bowie act! That’s a freaking
feat! On the plus side, the first half hour does offer us some fine moments
of humor (the Sheriff Office scene cracked my ass up) and some witty
dialogue. This is as close as the film gets to the Twin Peaks TV show. The
lightness is dropped when we’re introduced to the torn Laura Palmer
(Lee). That’s when the REAL nightmare begins.
Where the TV show was subtle,
quirky and all about peeling away the layers, Laura’s journey is brutal and
in your face. Lynch throws sexual decadence, heavy drug use and bloody
violence our way with unrepentant glee. Actually I heard that the first frame of the film (a TV being
smashed) is a symbolic message from Lynch to the viewers, saying: THIS
WILL NOT BE THE TV SHOW. Got it loud and clear duder! But for all of its
weirdness, peeking monkeys, fat Canadians, dudes named Buck and hopping
boys with plaster masks, the core of Fire Walk With Me is not only
a strong character driven piece in respect to Laura, but also a true horror
flick that utilizes the themes of child abuse and one girl’s struggle with
gradual revelations to drive it. Subsequently, the flick becomes a
possession flick. A multi-layered one but still a possession flick. If you
approach the film from that angle, you might be able to grasp it more.
Which brings me to the human
element of the movie: Laura Palmer. Props to Sheryl Lee for being the glue
that holds this hallucinogenic wave together (for me anyways). She gives
an astounding performance, displaying a wide range of emotions and mucho
of courage. She tackles vulnerable, sexy, slutty, bitchy, hysterical,
afraid, sad…you name it, Sheryl goes through it! It must have been a
taxing shoot on the actress. Why this girl wasn’t nominated for an Oscar,
I still don’t know. Having Laura be such a drawn out character gave me
an anchor to hold on to through this Lynch-made, mind-bending maze. I fell in love with her and was alongside her
through her entire journey.
In the
end, I was entranced by "Fire Walk With Me" on an emotional, visual
and gut level. Of course, finally understanding most of it really made a
difference. There’s so much to love here! Be it the stylish and
unconventional set pieces (loved the strobe lights, hedonistic bar scene),
the dream-like settings (the Julie Cruise bar scene is one for the books),
the alternate dimensions (all about that backwards talking midget) and the
hardcore horror elements (the painting sequence, the fan and BOB gave me
the brrrs). I was totally hypnotized. Twin Peaks, my friends, is one fucked
up town! Let's move there!
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| ACTING: |
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Sheryl Lee (Laura)
gives the performance of a lifetime. She’s 100% in every scene and I
can’t express enough at how impressed I was with her. WOW! Moira Kelly
(Donna) does fine as Laura’s best friend but I did miss Lara Flynn Boyle
(who played Donna on the show). Ray Wise (Leland) is captivating; he hits
all the right notes and gives a very entertaining show. I love the guy!
Dana Ashbrook (Bobby) does what he has to do with the screen time that he’s
given. I appreciated his groovy dance number in front of the school. James
Marshall (James) does what he does best…brood. Kyle McClachlan (Cooper)
doesn’t have much to do here but say his lines. I enjoyed Chris Isaac’s
(Desmond) presence. His delivery is awesome! Kiefer Sutherland (Sam) plays
against type as the bumbling agent and I bought it. Frank Silva (Bob) is
one dirty, scary looking bastard. That’s a good thing!
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| GORE: |
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We get an icky torn off nail, a gooey gunshot blast to
the head, some bloody beatings and some off-screen stabbings. The violence
is fairly disturbing.
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| T
& A: |
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Sheryl Lee (Laura) goes topless on more than one
occasion here and she also has killer legs. Moira Kelly (Donna) also drops
her top and we get a couple of more topless broads courtesy of the bar scene
as a bonus. The ladies get squat. James Marshall (James) doesn’t lose
his Levis.
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| DIRECTING: |
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The content of the flick might sport its fair share of
ugliness, but Lynch wraps it all in a coating of high style that has to be
seen to be believed. This guy is a genius! I loved his play with levels
when it came to sounds and images. Talk about trippy stuff! Add to that
creative lighting, strong moments of tension, a novel pace and dead-on
slow motion and you get one hell of a visual feast. Who needs drugs when
you have David Lynch movies?
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| SOUNDTRACK: |
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Lynch regular Angelo Badalamenti returns to give us
another one of his solid scores. The music is very important in this film.
Julie Cruise also shows up to sing “Question in a World of Blue” and I
lapped up every second of it. I love her stuff!
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| DVD
FEATURES: |
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Distributor: New Line Home Entertainment
February
26, 2002
IMAGE:
We get a anamorphic
Widescreen 1.85:1 ratio version of the film. The image is mostly sharp and
clear but we do get the occasional grain…I said occasional...
SOUND:
We get a DTS
5.1 and Dolby Digital 5.1 option. Is it me or was the music too
loud at times and the dialogue too low? I jerked my remote control on more than one
occasion.
EXTRAS: Lynch filmed about 5 hours
of footage for this flick and NONE of those scenes show up on this DVD.
Major freaking letdown yo! Here’s what we get instead.
Original Documentary
“Reflections on the phenomenon of Twin Peaks”: This half hour documentary did manage to hold my
interest. It was awesome to see most of the cast talk about their
experiences on the show, their disappointments in regards to the movie and
having their scenes cut out, David Lynch’s directing methods, the Theatre
and sharing little known facts about what went on behind the scenes. It felt
like I was re-visiting old friends. The only drawback here is that whoever
edited this thing, felt the need to be “creative”, overdoing it with the
“kooky” cuts. I just want to ear the cast talk dude, easy on the
freaking “witty” editing yo!
We
also get the
Theatrical Trailer…and
that’s it, that’s all. This DVD could’ve been so much more, I expect a
SPECIAL EDITION with the REAL goodies to pop out eventually. NOTE:
why was the animated menu silent, where was my Angelo Badalamenti background
score??? This DVD disappointed me.
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| BOTTOM LINE: |
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MY ADVICE:
Twin Peak fans, stop looking for the TV show in respect to the film and
appreciate it for what it is. Non-Twin Peaks fans, watch the show to
familiarize yourself with the characters and the overall feel of the
setting before hitting this LSD piece of celluloid. I’m happy that I stuck
with this movie for so long and watched it so many times before putting my
opinion about it out there. There’s so much symbolism in this film, so
much going on and I don’t think it’s fair to judge it on one viewing.
If you’re in the mood for a flick that steps outside the norm,
challenges your intellect, touches you on a human level, oozes of
atmosphere and pushes the envelope, hit this one hard. One more
thing…good luck!
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| BULL'S EYE: |
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Rumor has it that Lara Flynn
Boyle didn’t reprise her part of Donna because she didn’t want to do the
nudity.
Lynch shot approximately 5 hours
of footage on TPFWWM. Most of the scenes involving the beloved main
characters from the show wound up on the cutting room floor. Here’s a
list of the characters that got cut out of the final print: Ed and Nadine Hurley-Doc
and Eileen Hayward -Josie
Packard -Sheriff Truman
-Deputy Hawk
Andy
Brennen- Lucy Moran-
Ben, Jerry, Sylvia and Johnny Horne-
Pete Martell-
Major
and Betty Briggs- Toad
the Trucker- Dr. Jakoby
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Rumor has it that the Region 2
French DVD version of FWWM will contain the deleted scenes that are not on
this DVD.
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©
2002 John
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