Archive for the ‘Arrow In The Head’ Category
Check out my YouTube channel to see selected scenes and uncut sequences from my films, along with behind-the-scenes docs and other cool stuff.Wednesday, June 15th, 2016
Follow the link: https://www.youtube.com/user/johnryder12000/videos
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“WHITE KNUCKLE truly revs as a souped-up, quick-paced and nastily flagrant supercharged chiller!” -Arrow In The Head at JoBlo.com.Friday, May 1st, 2015
“PLOT: Sharon Ormsby, a feisty young FBI upstart, lobbies for an undercover gig to hit the highway and track down a ruthlessly indefatigable serial killer – a big-rig hauler known as White Knuckle – who’s been raping and murdering women for over 40 years.
REVIEW: Less than a year after marauding the masses with the submarine monster-mash IT WAITS BELOW, Mr. Eric Red – returns this summer with an equally entertaining stint of vicious vehicular horror via his aptly titled new tome WHITE KNUCKLE. Trust me, this is one hell of a ride! In what struck me hard as a sick and twisted literary lovechild of Spielberg’s DUEL and Demme’s SILENCE OF THE LAMBS, Eric Red once again powerfully displays his superior storytelling expertise with this tightly tethered, rollickingly unpredictable and suspensefully mounted page turner about a young FBI agent-in-training in hot pursuit of grisly highway serial killer. Go out and bag a copy ASAP, because I had a f*cking blast! Real shit, WHITE KNUCKLE truly revs as a souped-up, quick-paced and nastily flagrant supercharged chiller! Wow, how about that…a thumbs up for this vilely violent bout of automotive terror? Hell, what else do you expect from the guy who gave us THE HITCHER?!?” –Jake Dee, Arrow In The Head at JoBlo.com.
Read the full Arrow In The Head review at: http://bit.ly/1bKcsxR
“It’s a perfect summer horror read, sure to sate any and all gore-addicts and jaded sci-fi E.T. geeks. It will keep you utterly off-guard and guessing what’s to happen next!” – Arrow in the Head at JoBlo.com book review of IT WAITS BELOW.Monday, August 25th, 2014
PLOT: When a trio of salvage-extracting mariners are tasked with retrieving a lost treasure trove at the bottom of the Indian ocean, a band of thieving pirates isn’t their only problem. An angry, asteroidal alien-life-form is!
REVIEW: Legendary horror master Eric Red continues his Stephen King like efficacy of pounding out a quality new novel a year. This time Red returns with the saltily sinister IT WAITS BELOW, a relentlessly roiling alien-invasion romp set in the dark recesses of the Indian Ocean. Like his previous two tomes - DON’T STAND SO CLOSE and THE GUNS OF SANTA SANGRE – I enjoyed myself immensely while reading IT WAITS BELOW, as Red once again demonstrates how suspensefully aplomb his storytelling acumen continues to be. While vastly different from his last two – diegetically, epochally, tonally – one thing remains a constant: Red continues to enrapture his readers by drawing deeply engrossing characters melded with tightly-plotted, unpredictably gruesome action. Horror fiction aficionados, I shit you not, do yourself a goddamn favor and pick up IT WAITS BELOW stat. You will not be disappointed!
Meet the three-man crew of The Neptune, a state-of-the-art Salvage Rescue Submarine, owned by Enright Enterprises. Sebastian Enright, cocksure captain of the ship, his brusque Russian pilot Oleg Polidori and buxom first apprentice Jane Clark, have been assigned to plumb the unmanned depths of the Indian Ocean – some 10,000 meters deep – in order to retrieve the sunken treasure stowed in recently discovered Spanish galleon The Corona…a warship that suddenly vanished over 150 years ago. I’m talking a $30 million trove of gold bars, ornate doubloons, rare coins, the works! Coordinating the operation is Sebastian’s brother, Roy, who mans his own Support vessel on the surface called The Tulsa. Sounds like a solid plan, right? Fully funded, resourceful and well organized? Yeah, not so fast! As if the mission wasn’t daunting on its own – diving a submersible deeper than any before it – Enright, Clark and Polidori must contend with The Olga, a heavily armed barge of oleaginous pirates with plans of looting their rescued booty. Still not harry enough for you? Well then, how about the real assailant: A malefic extraterrestrial life-form at the bottom of the ocean pining for a warm human host to impregnate!
So many superlatives to get to, where to start? I think what I loved most about IT WAITS BELOW – in addition to the slowly mounted suspense Red builds towards its unforeseen crescendo of flash-bang bloodshed – is the deftly weaved narrative strands therein. By the final third of the book we tensely and tersely crosscut between The Neptune’s ill-fated deep-sea dive – replete with unknown alien contact, depleted oxygen and fatally pressurized freefall – and above the murk, a high-caliber shootout between Russian Pirates and Roy Enright’s Tulsa support crew. Real shit, just one of these narrative threads alone would have been raucous and riveting, but to tether them together in a way that feels neither forced nor contrived – well, it’s a feat to be commended. This is grippingly good, old-fashioned storytelling that not only keeps you on edge, but catches you off-kilter as well. I won’t spoil too much, but major character transformations occur throughout the story, with the line between friend and foe increasingly muddling. That you cannot see such developments coming, even if slightly teased or foreshadowed in some instances, is a true testament to Red’s carefully-constructed story architecture. Even if I admonished to expect the unexpected, you won’t be able to stay ahead of Red’s sly potting. Dude’s got more coy misdirection than Ricky f*cking Jay!
But enough of the cunning craft, you want to hear about the unremitting grue, right? Well, you’ll be pleased to know that this might be Red’s messiest foray yet…and that’s quite a statement coming off the smoldering gore-sodden werewolf-western SANTA SANGRE! But between the traded firepower of a mini-war above surface and the cringingly detailed sub-aquatic carnage below…not to mention the pumped-up pyrotechnic finale (nice JAWS homage Red, ALIEN too)…I promise you, there’s more bloodletting in this sumbitch than a goddamn donation bank! Again, not to get too spoiler-y, but I also loved the entire origination, description and ghastly evolution of the alien life-form itself. Here’s a intergalactic E.T. that hitched a ride to Earth on an asteroid over a century ago, crashing into and sinking the now discovered Corona ship. The semi-sentient entity has shown tremendous patience for a warm host to overtake and propagate its species with. Until the crewmembers of The Neptune descend, it’s only contact with life on Earth comes via sea-crab. And even those descriptions – scuttling insect-like critters – are icky enough, but when Enright, Clark and Polidori encounter the alien organism as it swells in size and appetite…that’s when the graphic displays of bodily, biological horror truly unfolds. And it’s f*cking gnarly!
I’m talking about leaky pools of grue – sticky, clumpy puddles of pulped viscera at every turn. I’m talking about gory green-goop and ickily painted alien-insides, bizarre underwater specimens of mutated terror filling almost every page. And the deeper we get, both in the story and in the water, the worse shit gets. Thankfully, in order to keep things fresh, Red fills the margins with not just the aforementioned narrative threads, or the sudden character swerves, but with actual marine lingo and educational purpose. Look, I realize one doesn’t pick up a horror novel to find any sort of enlightenment, but in a cool subsidiary way, I feel like I know a lot more about deep-sea submersibles – what they’re comprised of and how they operate – than I ever did before. In the responsible fashion of a well prepared writer, Red clearly researched his subject and not only paints the story with the requisite accoutrements of the setting – but does so in a way that feels both authentic and educational. A small detail it might be, but it makes all the difference when painting a specific, believable world. Of course, as a longtime screenwriter trained to think in pictures, Red understands how to paint such a visual, fully-realized time and place. And he does so again here with the terrifying expanse of the ocean!
I could go on waxing beatific, but nothing cuts to the chase quicker than the overall sentiment…cop yourself an edition of IT WAITS BELOW this instant!! Don’t wait. It’s a perfect summer horror read, not only sure to sate any and all gore-addicts and jaded sci-fi E.T. geeks, but it will keep you utterly off-guard and guessing what’s to happen next. Well drawn characters whose fate you will not be able to predict, viscerally-charged-carnage you will not be able to shake, and a satisfyingly souped-up conclusion – these are the primary reasons you should enthusiastically take the plunge! Do it now, IT WAITS BELOW!
9 out of 10.
Read more at http://bit.ly/1p5zdeo.
Enter to win an autographed copy of the first issue of WILD WORK, my new vampire western comic series from Antarctic Press, courtesy of Arrow in the Head!Friday, November 22nd, 2013
Enter the contest here: http://bit.ly/I8i6v8
“Antarctic Press is proud to announce the publication of the new six-issue comic series WILD WORK, an epic vampire action horror western! And here’s a dazzling look at the 1st issue’s jaw-dropping cover!
In 1888, Professor Abraham Van Helsing pursues Count Dracula into the American West. Wooden stakes and spurs, silver bullets and six-guns, side by side. Bullets fly, hell on earth around every hitching post and enough blood spilled to turn the western desert into a crimson sea. It’s going to be one “Hell-sing” of a ride!
The series is created and written by film director and screenwriter Eric Red, whose films include the legendary modern cult classics THE HITCHER, NEAR DARK, BODY PARTS and 100 FEET and who previously created and wrote the comic series CONTAINMENT for IDW Publishing. The cinematic artwork is by Ben Dunn. the founder of Antarctic Press and a man who has worked for almost every publisher on the planet as well as creating a plethora of titles and characters for his own company. The covers are by John Gallagher, the acclaimed entertainment illustrator working across film, television, video games and comics on such projects as ONCE UPON A TIME, FALLING SKIES and EUREKA and films such as THE GREY and APOLLO 18.”
Check it out at www.ericred.com.
“It’s THE MAGNIFICENT SEVEN meets DOG SOLDIERS! Taut, action packed and gory as hell! I couldn’t put it down!” –- Arrow in the Head at JoBlo.com on my new werewolf western novel, THE GUNS OF SANTA SANGRE.Thursday, October 3rd, 2013
Coming in trade paperback and eBook from Samhain Publishing Nov. 5th. Available for pre-order now at http://amzn.to/18yKCyr
“In our mythos of the Old West, there are bad guys and even badder guys, But Eric Red’s are the biggest, baddest guys of all…”
–- Jack Ketchum
“With THE GUNS OF SANTA SANGRE, Eric Red delivers a wild mash-up of action-thriller and bloody horror. This one really digs its claws into you from page one to last bite. Fast, furious, and wickedly fun. Highly recommended.”
–- Jonathan Maberry, New York Times bestselling author of FIRE & ASH and EXTINCTION MACHINE
“It’s THE MAGNIFICENT SEVEN meets DOG SOLDIERS! Taut, action packed and gory as hell! I couldn’t put it down!”
–- Arrow In The Head at JoBlo.com.
THE GUNS OF SANTA SANGRE is available in trade paperback and eBook at http://amzn.to/1a67PMi
“Eric Red brings his considerable talent as a screenwriter to bear on this powerful tale of sexual adventure and teenage turmoil. Erotic and suspenseful, breathlessly narrated, incisively characterized, DON’T STAND SO CLOSE had me in its grip until I finished it at a single sitting.”
–- Ramsey Campbell, author of THE GRIN OF THE DARK
“In DON’T STAND SO CLOSE, Eric Red takes what, at first, seems like a typical teen ‘coming-of-age’ sex romp and leads it down a very dark and twisted path. Being ‘Hot For Teacher’ has never been more disturbing.”
–- Nancy A. Collins, author of SUNGLASSES AFTER DARK
“Titillating and original.”
–- Joel Schumacher, director of THE LOST BOYS, FLATLINERS and FALLING DOWN
“DON’T STAND SO CLOSE is a riveting coming-of-age thriller. Heartbreaking, nail-biting, compelling and deeply insightful. Highly recommended for any teen who stands with one foot in the shadows.”
–- Jonathan Maberry, New York Times bestselling author of ROT & RUIN AND DUST & DECAY
DON’T STAND SO CLOSE is available in hardcover, trade paperback and ebook at http://amzn.to/15mcpEu